This eulogy to the star that birthed us is worthy of a million repeated listens, and should earn the band some new fans. One of the finest tunes they've ever written, Secrets of the Moon are now fully operational in an echelon that defies both classification and rules. sG sets the table with a sneering rasp before a Sisters of Mercy-esque chorus smooths the song out gracefully. "Here Lies The Sun" touches Beastmilk/ Grave Pleasures territory, while keeping with the more sinister blackening their foundation is built upon. Secrets of the Moon, like any truly great band, are not interested in anyone's idea of what their black-hearted expression should or should not emulate, and once digested the material on Sun suffuses the listener's cortex in velvet waves of spiritual, mind-altering expansion. For fans expecting an occult black metal band to sound like their comfortable definition of same, the description conjured in this review may seem off-putting. ![]() The song revolves in this orbit for a bit before concluding with a faster tempo, like a meatier, latter-day Tiamat. Rife with feeling, the echoing meter of his odes might be definable as 'clean,' but they fall somewhere between Carl McCoy ( Fields of the Nephilim), a hint of the late great Layne Staley ( Alice In Chains), Jaz Coleman ( Killing Joke) and something from the darkest reaches of being. "Man Behind The Sun" features an amazing vocal performance by sG. Again the vocals bring to mind more goth than black metal, which is perfectly suited to the atmosphere Secrets of the Moon is creating here. "Dirty Black" manages to keep it nihilistic while introducing an almost alternative sounding flare into their make-up. Sun, with its expanded and solidified lineup featuring Erebor ( Thulcandra) on drums, feels like an album meant to further distance Secrets of the Moon even further from the bounds of simple labeling. Much closer to one another stylistically than the first three records before it, those two felt like the band was settling into their own niche. "Dirty Black" kicks off like some filthy garage rock band, and the listener begins to see where Secrets of the Moon will diverge from the aforesaid last two albums. The guitar tone sG and Ar have conjured, along with the cutting burr of new bass guitarist Naahmah Ash ( Under Falling Leaves), sounds hungry and vengeful, like unquiet ghosts rattling the bars of their mausoleum. ![]() A thoughtful, wistful instrumental break around 6:15 in takes the listener to a different place than where they were at the beginning. Certain repetitious phrasings lend the aura of ritual to the song, which exhibits a sentiment of rebirth. The leads moan with a spectral grace, the vocal lines become catchy, and there is an anthem-esque feeling as the song progresses. Atmosphere is rich with sounds of horror and whispers, creating a schizophrenic feeling between the verses. The vocals are a tortured rasp, but far more enunciated and sung than one might expect. That being said, album opener and single "No More Colours" certainly explodes into being without a lot of preamble. Like 2009's Priveligvum and 2012's Seven Bells, Secrets of the Moon continue to depart from a more simplistic black metal battery to a doom-laden, serpentine approach to their sound. ![]() With only seven songs, and a penchant for surprise and innovation, its worth it to allow each track of a Secrets of the Moon album to completely absorb the listener before casting judgment. ![]() The bleak album art, a blackened eye or some nihilistic negative of the mighty sun itself, seems to convey the wisdom imparted by the enlightenment their music reaches for, juxtaposed against the blindness under which most of humanity labors. In the final month of 2015, under the banner of the Prophecy Productions/Lupus Lounge imprint, Secrets of the Moon will release their sixth opus Sun, ironically during the one lunar cycle where in the northern hemisphere, our own celestial ball of fire makes its briefest and weakest appearances.
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